The phenomenon of stress, from which musicians suffer especially to cope with the enormous pressure during auditions and exams, is already known to the public. Complaints such as tinnitus, great tension and the widespread use of beta blockers are documented. What can we do about it, how can we find a good balance between making music and the desire for technical perfection?
In order to practice a holistic approach that allows young musician to structure the musical work and put it on a stable basis, I have developed a method. The intellectual knowledge is combined with intuition and imagination, with the aim of playing the music as it was created by the composers. In this way, the joy of making music, and also of practicing, is increased many times over.
Through the application of this method, one learns to understand subtle artistic processes and to observe and practice one’s own mental and emotional attitudes